她比烟花寂寞影评,翻译她比烟花寂寞的独白

This has deep feelings for a pair of sisters. Du pre's sister is a genius flute in hand, in a performance in the invitation, his sister told his mother that if her sister could not attend, and that she also did not go. Du pre very strong indeed, after a hard practice, it actually turns in a children's music competition, along with her sister was the first. Of course, Dupuleila played the cello, and sister playing the flute. As a result, his sister who had gathered in the applause and the spotlight turned to look at her sister. Curtain call, the haughty and jealous older sister turned around and ran toward the corner of the storage room silent silent. Finally, the small-du pre her mother out of the race as the field, at the corner stairs, Press left a shadow to them. Yellowing of the photo, about the only laugh that the older sister. But of course, the success of the accident is not enough to affect the point where the feelings of the sisters. Xu is a family of energy can only be the only train a gifted children's sake, parents choose a small du pre. Several years later, du pre is known around the world, while the older sister's award-winning moment from childhood du pre on the doomed fate of the lonely. While his sister Chaos at work and flute College, Bole appeared. He followed his sister back home and did not hesitate to tell her that he loved her. Then, they get married. When the du pre know that after the cruel against sister Jie Shuo, you have to sex life, does not necessarily have to get married. Middle of the night, the girl's bedroom did not play lights out the stars in through that hole, my sister was pale face was back to Tao, he let me know that I is a special woman. Lonely heart can be driven by her sister again, to say irresponsible, hurt family members if: You are not special, you know you is not at ... ... After a not particularly long, du pre at a party also met her husband. Two young musicians playing music the way home to the shortest time to consolidate the other party's position in his life. As a result, du pre and her husband started the same stage. The performance time slots appear Is so compact, as if to tackle. One day, du pre a blue coat, dragged on for a cello box defect had been settled in the country's sister and brother. Under a taxi, she fell to the sister arms crying and asked her husband to adopt this little sister into the cabins. Evening, Anton finished three children, they play games on the Weizhuohuolu. The game is very interesting, guess each other's mind. Of course, this sister always soulmate. In the end, du pre whisper in the process with his sister, said her sister, I would like to have sex with the brother in law. Du pre warm atmosphere of the end of the spit when the last word. The next day, du Lei ran into a small forest. She was weeping, ran They leak into wearing clothes along the way lost. A sister found, an excuse du pre naked, she was convulsive shivering with his right hand pick up the dry twigs on the blasted to smoke his left wrist. Empty sky, ah, the countryside and that the stream, rocks, trees and snow, all life is silently waiting for du pre shouted - in fact, actually, I just want to do a love with him ... ... you say anything that we can share , and found that they were fraudulent ... ... you do not love me. The story of how the next development? Dislocation, and dislocation of everything. Finally one night, brother in law went to her sister. Du pre wake up in the bedroom sounded the stirring of the cello. As a result, the next day, du pre Tathagata, it was a Snob piano box pulling away. As a result, life was repeated up, du pre her husband also joined the ranks of performances. But by this time it seems no longer the du pre is input to perform. Even, in a performance at the end, she found that she can not stand get up. As the orchestra conductor went up to surprise her husband, whispered to his wife that there was no relationship, I hold you. Was to find out the cause - multiple sclerosis, a date, there is no cure for the terminally ill. Du pre's body across the May be unique endowment why would they abandon the style is no longer the husband of his wife. An excuse for work reasons, he moved out of the house, first trip home a week, and then a month. In a phone, du pre clearly heard her husband came over the sound of children's noise, so she knows her husband abandoned her. Prior to this, du pre strongly urged her husband arranged for her to come on stage throughout the concert she was the only thing to do is ring the timpani. After the concert, du pre finds himself gradually lost its action, hearing or even the ability to breathe. But she has been reluctant to see her miserable exciting for someone else, so she refused to All friends, including family members. After the concert curtain call, the mother suggested eldest daughter went to see youngest daughter, and come up with du pre goes on when the first award-winning photographs, said that du pre might need it. The film images can be up to become evil. Sister, who, when the photo did not laugh Who are you? Then the couple phase as speechless. This had the acquiescence of her husband in bed with his sister, sister, in the most painful time of her sister has abandoned her. Finally, the dying time has arrived. Du pre whole body convulsions, do not eat nor drink, has long been speechless. The mutual affection in the end the sisters can not be broken. Sister eventually went to see her sister. Her arm around her, feed her to drink water , And with her memories of hours go Haibin play thing: they went to the beach to see the beach stood a strange woman alone. Small du pre move forward with her say hello, and then ran straight back, Yong Zhe sister, Dao, all right, there I was (all will be good). At this point, the film screen cluttered up, and that childhood seaside strange woman stood turned, and she is the du pre

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下面是更多关于她比烟花寂寞影评的问答

Eye-grabbing performances from Emily Watson and Rachel Griffiths, who portray celebrated British cellist Jacqueline Du Pre and her older sister, Hilary, distinguish this ambitious but flawed biography, the debut feature from Anand Tucker. Aimed at the "Shine" audience, this often powerful and ultimately tragic story of a troubled musical genius provoked mixed reactions at its Venice world preem, so a lot is riding on audience response when it unveils as a Gala attraction at Toronto, where it will play in a slightly modified version. Jacqueline Du Pre, who died in 1987 at the age of 42, suffered from multiple sclerosis in her later years. Frank Cottrell-Boyce's intriguing screenplay is based on a recent book, "A Genius in the Family," by the musicians' siblings, Hilary and Piers Du Pre. Given Jackie's somewhat problematic life, it must be said that the film very much represents Hilary's take on her sister. But the decision of Tucker and Cottrell-Boyce to structure the film mostly from Hilary's perspective and then, without warning, shift into flashback and reveal the story from Jackie's p.o.v. was a bold and ambitious one; it will work only for some viewers. Many in Venice were so jolted at the sudden shift in viewpoint that they believed the projectionist had mixed the reels. Film kicks off with the sisters, as children, carelessly playing on a beach at sunset; Jackie leaves Hilary to talk to a strange woman, silhouetted against the setting sun. Only at the very end of the film does the viewer learn the significance of this opening encounter, and it makes for a moving conclusion. The children of a kind but unworldly father (Charles Dance) and a fiercely dedicated and musical mother (Celia Imrie), Hilary and Jackie grow up in a house full of music. Hilary learns the flute, and for a while has more success in talent contests than her sister. After a humiliating experience at the BBC, Jackie is told she must be as good as her sister if she's to continue playing with her. Soon she's wowing audiences with her virtuoso, though somewhat eccentric, cello playing. While Jackie goes off on international tours, playing a priceless Davidoff cello given her by an anonymous admirer, Hilary fails her flute exam at the Royal Academy of Music. She meets and decides to marry a charming and ebullient conductor, Kiffer Finzi (David Morrissey), while Jackie marries Daniel Barenboim (James Frain), a gifted Jewish-Argentine musician. Some years later, when Hilary and Kiffer are living happily in a country cottage with their children, a distraught Jackie turns up alone and asks Hilary's permission to sleep with Kiffer, permission reluctantly granted (Hilary had never been able to refuse her sister, and so accedes even to this unlikely request.) After a while, however, Kiffer calls a halt to the affair, and Jackie leaves. At this point, the film jarringly shifts to encompass Jackie's perspective of what has occurred in her life --- lonely nights on tour in foreign cities, unable to speak the language; her meeting with Daniel; and her increasing unhappiness, to the point that she hates even her beloved cello. Jackie's problem, of course, is that she's ill; as the symptoms of the disease take hold, and she's reduced to an invalid, she hovers between opposition to, and acceptance of, her sister's love and friendship. Watson is a magnetic Jackie, convincing as a cellist, maddening as a personality, tragic in the final stages of her short life. Equally good is Griffiths, who gets a huge career boost with the role of the self-sacrificing but still jealous and troubled Hilary; her final scenes are memorable. Supporting cast is nearly flawless, especially Imrie as the sister's quietly determined mother. Nyree Dawn Porter appears in a brief, seemingly accurate cameo as Dame Margot Fonteyn. As the young Jackie and Hilary, Auriol Evans and Keeley Flanders impress in the film's predictable but effective opening. Apart from its questionable structure, this is an intelligent production. Yet director Tucker, who hails from television, resorts to a few self-conscious tactics --- for example, a fake skyscape behind the sisters as they bond; and that cliched image in which the camera circles a performing musician is used far too often. The music is, expectedly, sublime, with Jacqueline Du Pre's recordings featured in some sequences. Production credits are extremely handsome. Eye-grabbing performances from Emily Watson and Rachel Griffiths, who portray celebrated British cellist Jacqueline Du Pre and her older sister, Hilary, distinguish this ambitious but flawed biography, the debut feature from Anand Tucker. Aimed at the "Shine" audience, this often powerful and ultimately tragic story of a troubled musical genius provoked mixed reactions at its Venice world preem, so a lot is riding on audience response when it unveils as a Gala attraction at Toronto, where it will play in a slightly modified version. Jacqueline Du Pre, who died in 1987 at the age of 42, suffered from multiple sclerosis in her later years. Frank Cottrell-Boyce's intriguing screenplay is based on a recent book, "A Genius in the Family," by the musicians' siblings, Hilary and Piers Du Pre. Given Jackie's somewhat problematic life, it must be said that the film very much represents Hilary's take on her sister. But the decision of Tucker and Cottrell-Boyce to structure the film mostly from Hilary's perspective and then, without warning, shift into flashback and reveal the story from Jackie's p.o.v. was a bold and ambitious one; it will work only for some viewers. Many in Venice were so jolted at the sudden shift in viewpoint that they believed the projectionist had mixed the reels. Film kicks off with the sisters, as children, carelessly playing on a beach at sunset; Jackie leaves Hilary to talk to a strange woman, silhouetted against the setting sun. Only at the very end of the film does the viewer learn the significance of this opening encounter, and it makes for a moving conclusion. The children of a kind but unworldly father (Charles Dance) and a fiercely dedicated and musical mother (Celia Imrie), Hilary and Jackie grow up in a house full of music. Hilary learns the flute, and for a while has more success in talent contests than her sister. After a humiliating experience at the BBC, Jackie is told she must be as good as her sister if she's to continue playing with her. Soon she's wowing audiences with her virtuoso, though somewhat eccentric, cello playing. While Jackie goes off on international tours, playing a priceless Davidoff cello given her by an anonymous admirer, Hilary fails her flute exam at the Royal Academy of Music. She meets and decides to marry a charming and ebullient conductor, Kiffer Finzi (David Morrissey), while Jackie marries Daniel Barenboim (James Frain), a gifted Jewish-Argentine musician. Some years later, when Hilary and Kiffer are living happily in a country cottage with their children, a distraught Jackie turns up alone and asks Hilary's permission to sleep with Kiffer, permission reluctantly granted (Hilary had never been able to refuse her sister, and so accedes even to this unlikely request.) After a while, however, Kiffer calls a halt to the affair, and Jackie leaves. At this point, the film jarringly shifts to encompass Jackie's perspective of what has occurred in her life --- lonely nights on tour in foreign cities, unable to speak the language; her meeting with Daniel; and her increasing unhappiness, to the point that she hates even her beloved cello. Jackie's problem, of course, is that she's ill; as the symptoms of the disease take hold, and she's reduced to an invalid, she hovers between opposition to, and acceptance of, her sister's love and friendship. Watson is a magnetic Jackie, convincing as a cellist, maddening as a personality, tragic in the final stages of her short life. Equally good is Griffiths, who gets a huge career boost with the role of the self-sacrificing but still jealous and troubled Hilary; her final scenes are memorable. Supporting cast is nearly flawless, especially Imrie as the sister's quietly determined mother. Nyree Dawn Porter appears in a brief, seemingly accurate cameo as Dame Margot Fonteyn. As the young Jackie and Hilary, Auriol Evans and Keeley Flanders impress in the film's predictable but effective opening. Apart from its questionable structure, this is an intelligent production. Yet director Tucker, who hails from television, resorts to a few self-conscious tactics --- for example, a fake skyscape behind the sisters as they bond; and that cliched image in which the camera circles a performing musician is used far too often. The music is, expectedly, sublime, with Jacqueline Du Pre's recordings featured in some sequences. Production credits are extremely handsome. Hilary and Jackie is a 1998 British biographical film directed by Anand Tucker. The screenplay by Frank Cottrell Boyce is based on the memoir A Genius in the Family by Piers and Hilary du Pré, which chronicles the life and career of their sister, cellist Jacqueline du Pré. The film attracted controversy and criticism for allegedly distorting details in the musician's life, and Hilary du Pré publicly defended her version of the story .

http://en.wikipedia.org/wiki/Hilary_and_Jackie#cite_note-0

《喜宝》是根舒同名小编。 有这部电影的。

： 喜宝在英学期间遭男弃，被迫终止读书返回香港。在飞机上，她的独特性格及美貌得到富商勖存姿及全家人的欣赏。因母勖与外国人结婚并移居澳洲，喜宝为了完成大学课程，与勖存姿达成协议，甘愿成为其宠中鸟。回英国后，喜宝认识了与她性格、身世相仿的大学助教DENNIS阮，并与之渐坠爱河。而这一切均被勖存姿发觉。在勖安排的狩猎活动中，阮终于死在勋的枪口之下。喜宝面对眼前发生的一切，感到只有真诚和自由最可贵，决意走自己的路。

其他还有《流金岁月》《朝花夕拾》《胭脂》《玫瑰的故事》等等，可以慢慢的搜索看看。 楼主可以去PPS上看啊，我记得让雷诺和蒂姆伯顿都有专题的，《她比烟花寂寞》的话，你也可以去搜搜看，好像是有 哥们，Hilary and Jackie这部电影能被译成《她比烟花寂寞》，这样诗意的名字，你说呢，强烈推荐

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