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祝祭电影,

2020-11-08 19:17电影

简介帮你查了一下~ 电影《祝祭》讲述渔村一次悲伤掺杂幽默的葬礼，不动声色地传达了东方境域中豁达超然的生死态度，祭祀的沉重之下是生命仍将继续的祝福。（这是百度百科里对导演介绍中的内容）导演是林权泽（1936 ...

帮你查了一下~

电影《祝祭》讲述渔村一次悲伤掺杂幽默的葬礼，不动声色地传达了东方境域中豁达超然的生死态度，祭祀的沉重之下是生命仍将继续的祝福。（这是百度百科里对导演介绍中的内容）

导演是林权泽（1936年5月生），是个韩国骨灰级的导演~ 到目前拍过104部电影~

他的电影可以说是代表了韩国电影的发展史~

导演介绍：http://baike.baidu.com/view/278112.htm

其实，在中国没有《祝祭》这样的词，影片韩语名的意思是《庆典》。

简单说的话，除了百度百科里的介绍外，这部影片通过给一位死去的老人举行葬礼时发生的故事来展现出了人与人互相理解，和睦相处....等美好意境~，可以说，影片中老人的死成为了家人之间能够和睦相处的契机~ 这也是导演为什么把影片名叫做《庆典》，而不是《葬礼》或《祭祀》的原因。

在韩国的相关网站中，对这部影片的评价都很高~

http://movie.naver.com/movie/bi/mi/basic.nhn?code=17193

可以说影片从头到尾充斥着浓厚的韩国乡村人们的文化底蕴~包括思维，人生观...

并且，导演很细微的描述了极具韩国特色的葬礼过程...

希望对你有所帮助~

有空我也想看看这部电影~ 追问

谢谢你的回答，请问你有电影的观看地址吗？我想看，但是没找到ㅠㅠ

追答

可能是因为N年前的电影...我也没找到~ 爱莫能助啊~

下面是更多关于祝祭电影的问答

求：韩国电影《祝祭 Festival》--1996 介绍和观后感（或影评）

gfds

韩国喜剧《节日/Festival》中文字幕迅雷下载地址谁有 , 一定要带字幕的!

没字幕的也可以~直接用迅雷看看匹配

求一部关于超能力韩国电影

火山高中

求这两部片子的影评

是

<mary>:

The latest film by Abel Ferrara, "Mary", was without doubt one of the most eagerly awaited films of this year's Venice Film Festival, where it won the Grand Prix.

"Mary" will of course be linked to two other big 'relegious' films of the moment: "The Passion of the Christ" and "The Da Vinci Code". However the film stands firmly on its own merit.

"Mary" can easily be read as "Ferrara's reply to Mel Gibson's "The Passion of the Christ"", a film which made great impact culturally and indeed commercially, like one of the summer blockbusters of 2004 in the United States. However "Mary" does not derogate from the sulfurous tradition which characterizes the films of Abel Ferrara since the beginning, and as such his film is significantly more intellectually provocative than Gibson's film, if slightly less approachable.

While giving us a completely revolutionary vision of the character of Mary Magdalene, the director questions the cult of spirituality, while once more questioning his faith with a rare humility.

"Mary" takes as it's starting point the now almost mythical Mary Magdalene, disciple of Jesus. The film then evokes three characters bound by her spirit and her mystery... Marie Palesi, an actress, who is playing Magdalene in a film. Tony Childress, a director who is playing Jesus in his own film. Ted Younger, a celebrity journalist, creating a TV show about religious faith. Between fascination and spiritual search, destiny will join these three together.

Before Ferrara's "Mary" was even thought of, Juliette Binoche had already been approached to play Mary Magdalene by the historian Jean-Yves Leloup who translated the "Gospels according to Mary Magdalene" and was working on a dramatization. At the time, Binoche declined this offer. Today it is partly thanks to her and Jean-Yves Leloup that "Mary" exists. The historian's dramatization forming the film within a film. Due of this thoughtful and rich background "Mary" does not rest only on one simple "reaction" to the vision of Mel Gibson.

The character of Tony Childress (Matthew Modine), director, playboy and megalomaniac seems partly inspired by Mel Gibson but also by Ferrara himself - or his reputation at least. Tony is brilliant in his art but hopelessly poor in life.

The message conveyed by "Mary" is subversive in that the film questions the basis of the mystic Judeo-Christian teachings while approaching what can be regarded as one of the more taboo questions of religion, namely the integration of the female into the Divine Word. From this point of view, "The Passion of the Christ" failed and was even symptomatic of the commonly allowed representations of women in religion, namely the worshiping mother, Mary, and the prostitute, Mary Magdalene and the choice to entrust the role of Satan to a woman, while the Word belonged fully to a man - Jesus. On the contrary, Abel Ferrara, who bases his film on the Gospels discovered in 1945 and in particular on the texts credited to Mary Magdalene herself, provides us with another vision of Magdalene as the chief disciple. He thus returns to the female figure the capacity to spread the Word, which women were dispossessed of through the centuries.

The film opens with Mary Magdalene (Juliette Binoche) directly after the resurrection. The film is warm and glowing. Then Tony Childress (Matthew Modine) yells cut and the audience is plunged into the reality of the film. After the shoot finishes Childress prepares to return to New York. However his leading actress Marie Palesi (Juliette Binoche) is so affected by her role that she reuses to go with him. Instead she abandons her career and goes to Jerusalem in search of the true Magdalene and resolution for her faith.

Back in New York Ted Younger (Forest Whitaker) approaches Childress to appear on his spiritual TV show. Younger's life is a mess, and although his work has lead to his questioning of faith in his personal life he does no such thing. Instead he blatantly cheats on his pregnant wife (Heather Graham). Childress' film "This is My Blood" has caused controversy with the far right and the Jewish lobby. The premiere is threatened with violence. Younger manages to contact Palesi in Jerusalem and creates a telephone confrontation between her and Childress on his show. This confrontation has major implications for all three.

The history of Mary Magdalene, such as it is suggested by the extracts of Childress' film, is put at the same level as those of Marie, Ted and Tony. However, it ends up rising above theirs since its message will touch each one of them successively. The director films much in darkness and closed places - cellars, studios, a car or an empty apartment - leading an atmosphere of oppression, supported by a throbbing musical score. At times this darkness is contrasted with beams of illuminating light. Rather than being a trite visual allusion this leads to a revelatory sense of change.

The acting is sensational, Juliette Binoche seems literally inhabited by her roles - both as Magdalene and Palesi. She goes from serene to distraught to serene again. Forest Whitaker delivers an upsetting performance and proves once more that he is one of the best actors of his generation. Finally the performance of Matthew Modine is cerebral and emotional work, difficult since he could easily have become a caricature of Gibson or Ferrara.

"Mary" is successful in the aim to embrace the complexity of the religious faith. Wiser seemingly than usually, Abel Ferrara delivers a fundamentally subversive work. The film conveys a deeply human message with universal vocation which does not require faith in order to be understood or appreciated. In fact the film can be simply be read as a religious horror film - without the devil.

<Antimatte>:

The great thing about this movie is that it is not a true horror film. The director said in the Q&A after the movie that he didn't want his killer to be respected, like Hannibal, who he says "looks like the cool guy in the movie". He says that since he is locked up the whole time the audience can be sure that there will be no more murders and so most of the movie is talking and trying to create closure. The movie is very much a focus on the minds of normal people versus what happens to the make a normal person turn into a serial killer. Alvart did a lot of research for the movie on serial killers, Catholocism (spending months working in a church), and being a father, there is a lot on parent-child relationships. There are so many levels that are covered in this movie and that is why it is so engrossing and watchable. It is a totally intellectual film that makes you think about social issues as well as completely scaring and creeping you out. The ending was so amazing. It is the best thriller I have ever seen and no one would ever think that Alvart was the most skeptical of this script ever being produced.Alvart said this film is the most personal out of the many scripts he proposed to producers.